The old face of Bisenti is still preserved in the streets and squares of the historic center, where he rediscovers the colorful atmosphere, typical of a medieval village. On Piazza Vittorio Emanuele overlooks the parish church of Santa Maria degli Angeli, with a majestic bell tower and the house badiale. According to tradition, the church is related to a Franciscan here because it past St. Francis of Assisi. Considered one of the major basilicas of Abruzzo XV-XVI century. Is remembered in a corner of the mosaic floor of the Basilica of St. Peter in Rome.

The sacred building, rectangular, has a single nave, divided into sometimes sail. On the vault can be observed three large oval medallions with frescoes represent the judgment of Solomon, the miracle of Moses and Eliodoro driven from the Temple. Among the pilasters on the sides and windows, above the cornice, there are the figures of prophets and allegories of the cardinal virtues. On both sides of the four pulpits are, stucco images of the four evangelists. . On a side chapel left, we see a small madaglione with eighteenth canvas, depicting St. Emidio that item in the hands of the country Bisenti.

In a niche in the central side, there is the statuadella Our Lady of the Angels, nume protect the building of worship, beautiful polychrome terracotta, valuable invoice Abruzzo, dating back to the sixteenth century. Through the work of G. Gagliardelli, Gagliardelli, who fused mysticism Abruzzo and fiorentinismo in vogue. Around this veneratissima image, celebrated on August 2 of every year, flowers are pretty legends that have always attracted through the centuries, many pilgrims. He wants, in fact, the tradition that the statue of Our Lady has appeared on the bank of the river up from where, with great jubilation to the faithful, was transported in the church dedicated to her. Seduta, le Seat, joined hands and his head slightly tilted, Madonna laying maternal gaze in adoration of the Child, cradled on his lap. The rituals of this festival, which originates from pagan cults, is remembered by many writers, among them could not miss the D'Annunzio, perhaps in memory of his ancestors bisentini, Novelle of Pescara, told: "... in Bisenti many girls, with head canestre of wheat, leading to the streets leading a donkey on the rump greater basket and enter the church of Our Lady of the Angels, for offering singing. "

Near the house abbey, is Via Support, where there are homes that date back to 1600. The show features dwellings deck or wooden lintels, in particular deserves mention an old house. Atrettanto rich interest can be a visit to the district "Codacchio" with old houses, staircases and fondaci, stone not worked and learning vestino: construction of a Romanesque structure whose walls is similar to the house of Pontius Pilate. Long years of history are etched on stones, cornices of vecchieabitazioni, where, today, the silence reigns supreme.

The ancient tower and the three fountains
Continuing along via Costantini, is now via Rome, near the walls of the castle, we find the municipal crest overlooking three fountains, dating back to 1800. The badge consists of a castle with three towers. The Tower teacher or Queen Giovanna, with a square base, although halved, s'alza still with a certain grandeur on the wall. Post in a strategic position on the tortuous passage of Fino, is the only remaining of a Norman castle age. According to legend, the underground tower is dipartiva a gallery, where he was buried a gold frame.

Abbey House
Built in 1472 by fathers celestini, as the plaque affixed between the arches semigotici of the building. Inside is a small museum objects belonging to PasqualinoCanzii.

Church of St. Peter and abbey of celestini
Erroneamente the Di Vestea believes that the Church of St. Peter was founded to 1260. It seems that the same parish to have originated from a benefit badiale St Peter's existing Penne hence the name Pinnam. The same simple aspect of the building, still warm from a small mono-fora, brings us back, however, to an era before the century. XI when the churches, most of it had "an almost home of one aisle and a prospectus naked and simple."